LIJIN ZHU | 朱栎瑾
© Lijin Zhu 2026
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Looking Awry
斜眼
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Looking Awry
斜眼
May 8 - 23, 2021 / 2021年5月8日 — 5月23日
Chiasso perduto , Florance & BY ART MATTERS RESIDENCY, Hangzhou /
意大利佛罗伦萨·Via dè Coverelli, 4r,Firenze & 中国杭州天目山路398号天目里17号楼1F
Project Initiators: Cui Li, Cao Zhihao / 项目发起人：崔黎，曹志昊
Artists: Chang Yucen, Cui Li, Cao Zhihao, Qi Tingting, Lü Xiaokai, Zhao Ke, Zhu Lijin,
Caterina Dondi (Italy) / 艺术家：常宇岑，崔黎，曹志昊，齐亭婷，吕晓凯，赵可，朱
丽瑾，Caterina Dondi（意）
Related link/相关链接：
https://www.tproject.cn/nd.jsp?fromColId=109&id=234#_np=109_370
https://www.tproject.cn/nd.jsp?id=227
Works / 作品
a. 105° of tilt / “105°”倾角
wooden construction，colour print on coated paper / 木结构搭建物，铜版纸印刷，230×400×360cm，2021
A corner of the Italian exhibition space/ 意大利展厅空间一角
The residency space Chiasso Perduto in Italy was once part of the Machiavelli family residence. It was completed in 1427 and restored in 1863.
意大利的驻地空间Chiasso perduto，这里曾经是马基雅维利家族住宅的一部分，于1427年竣工，1863年被修复。
Residency / 驻地
More info /详情参见: https://www.tproject.cn/nd.jsp?fromColId=109&id=234#_np=109_370
Exhibition View/ 展览现场
The Italian exhibition space / 意大利展厅
Press Release / 新闻稿
“In ancient times, it was said that those with slanted eyes were ‘people with vertical vision’. Interpretations vary among scholars: one view compares them to horse-like eyes; another to dragon-like eyes, while some suggest they resemble the appearance of ordinary humans. One interpretation sees them as eyes of quiet observation; another as expressions of sidelong scrutiny… The inability to define their form with certainty has its own reason.”
This is a spatial dialogue project to be developed between two residency sites in Hangzhou and Florence. It establishes a conceptual passage connecting the two locations, proposing a practice of working and co-existing that is grounded in, yet also exceeds, physical space. Artists based in the Hangzhou and Florence residencies will adopt a “tilted” perspective, interpreting spatial differences through the divergence between the two concrete sites, and in turn revealing a spatial landscape shaped by difference itself.
“ 古者，曰目斜者纵目人哉，诸家所见不一：一说似马目，二说龙目，又与真人之态相似；一说静观之目，二说睥睨之态……其相不可见定有其由。 ”
这是一场将在杭州和佛罗伦萨的两个驻地空间建立的空间对话活动，一条贯穿两地的通道，一次基于物理空间并超越物理空间的工作与共存尝试。驻地在杭州和佛罗伦萨两地的艺术家将用“倾斜”的视角，基于两个实体空间的差异，进而解读差异的空间图景。
***
Two artists from China came together through research, exploring relationships between things in a reverse direction. This process of reverse deduction became a way of understanding and deconstructing their surrounding environment. Through ongoing dialogue, they established a collaboration with another residency space in Hangzhou, where five Chinese artists were simultaneously undertaking residency projects. Together, they attempted to understand and interpret the places inhabited by others through images and descriptions, ultimately seeking to construct a channel between the two sites that could transcend physical space.
Excerpt from the introduction to the Italian pavilion, co-written by Francesca Morozzi and Sandra Miranda Pattin, directors of the Italian residency space.
两位来自中国的艺术家在研究中汇聚一堂，反向地探索事物的关系……这种逆向推演是一种了解和解构周围环境的方式，他们不断地对话，和杭州的另一个驻地空间之驻空间建立了合作，5位中国艺术家同时在那里驻地创作，他们一起试图通过图像和描述来理解和解释其他人所在的地域，最后试图建立起两地超越物理空间的通道。
——选自意大利展厅前言，由意大利驻地空间两位主理人Francesca Morozzi和Sandra Miranda Pattin共同写作
Work Description / 作品简介
a. 105° of tilt / “105°”倾角
Collaborative works：Zhao Ke, Chang Yucen, Qi Tingting, Zhu Lijin / 合作作品: 赵可，常宇岑，齐亭婷，朱栎瑾
We often needed to have remote discussions with the team members in Italy, While we were working during the day, their hours were well into the wee hours. So time differences became our initial common focus.We tried to translate the temporal gap into a spatial "angle" of time zones. Since the time difference between Italy and China constituted 105 ° , we made the corner of the Italian exhibition hall tilted 105 ° in the Chinese exhibition hall. The floor pattern was taken in the collaborative Italian art space and transmitted to China, where it was printed and pasted one-by-one.
由于常常需要在杭州和意大利的小组成员进行远程讨论，我们的工作状态总是一边还在白天另一边已到凌晨，时差成为我们最初的共同关注点。我们试图把时间上的差距转换成空间上的时区“夹角”。由于意大利佛罗伦萨和中国在地球上的时差角度是105°，因此我们在中国展厅制作了意大利展厅一角倾斜105°后的样子。地板的图案是在意大利展厅拍摄后远程传送到中国，在打印后一张张贴上的。